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Projector Screens

The screen is half the projector's picture. Gain, color, and ambient light rejection change what you see more than a step up in projector price.

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Silver Ticket STR-169120 120-inch 16:9 Fixed Frame (White 1.1 gain)

Dark rooms, standard-throw projectors

Silver Ticket STR-169120 120-inch 16:9 Fixed Frame (White 1.1 gain)

Price tier 1 of 4
  • 120-inch 16:9
  • Matte white, 1.1 gain
  • Fixed frame, 2.4-inch velvet bezel
  • 160-degree viewing cone

The long-running value benchmark for fixed-frame screens: a flat, color-neutral 1.1-gain vinyl surface on a velvet-wrapped aluminum frame, with a tension-rod system that makes assembly simple.

Silver Ticket STR-169120-WAB 120-inch Acoustically Transparent Fixed Frame

Speakers behind the screen, dedicated theaters

Silver Ticket STR-169120-WAB 120-inch Acoustically Transparent Fixed Frame

Price tier 1 of 4
  • 120-inch 16:9
  • Woven acoustic, 1.1 gain
  • Black backing (light block)
  • Fixed frame, 3.15-inch bezel

Lets you hide the front three speakers behind the picture with negligible sound loss. The woven surface is bright and neutral, and the black backing blocks light bleed through the weave.

Elite Screens Aeon CLR 3 123-inch UST ALR Fixed Frame (AR123H-CLR3)

UST projectors in living rooms with ambient light

Elite Screens Aeon CLR 3 123-inch UST ALR Fixed Frame (AR123H-CLR3)

Price tier 2 of 4
  • 123-inch 16:9
  • Ceiling light rejecting, 0.8 gain
  • Edge-free fixed frame
  • 180-degree viewing angle

A lenticular ALR surface built specifically for ultra-short-throw projectors: it rejects overhead and off-axis light so a UST looks punchy with the lights on, with an edge-free frame that reads like a big TV.